Friday, February 19, 2010

Survival Tips for Oscar Newbies



First-time nominees have plenty to think about.


By Timothy Gray, Variety.com
Thurs., Feb. 18, 2010

Academy Awards are being presented at the Kodak Theater March 7. To those who have already attended, no explanation is necessary.

To those who have never been there, no explanation is possible.Still, that doesn't deter me. Here is some handy advice for nominees, particularly first-timers:

• Bring a snack: You leave the house at 2:30 p.m. and it's seven hours before you get a meal. Protein bars and trail mix are dandy little sources of brain food. And avoid the booze. Believe me, if you win, you don't want to be light-headed.

• Make things easy for security: If you're bringing your own car, just be aware that security people are very democratic, and scan all cars equally. In other words, clean out your trunk.

• Keep breathing: Breathe in through the nose, out through the mouth. Concentrate on those breaths. It sounds obvious, but it can be deeply calming during moments of stress.

• Bring lozenges: If your throat gets dry, suck on a Halls or an Altoid. In theory, you could drink a lot of water, but that leads to other complications (lines to the loo during commercial breaks can be daunting). But don't chew gum. Gum is fine for Lakers games, but it's amazing how all that carefully chosen black-tie finery is undercut if the camera catches you lost in thought, chewing on your Wrigley's.

• Prepare a speech: Ingrid Bergman, Sally Field and Cuba Gooding Jr. made memorable acceptance speeches that seemed totally spontaneous. That's three people in 81 years. Most of us have forgotten (or happily repressed) the many other folks who've clambered to the stage and given rambling, stream-of-consciousness speeches because they hadn't prepared anything ("I didn't think I would win!").

• Prepare a speech: In other words, no laundry lists. It's boring. It's also self-destructive: If you rattle off 30 names, there will still be No. 31 and 32 who feel slighted. At Monday's Oscar nominees luncheon, Bill Mechanic, one of the show's producers, warned against such a recitation, "It is the single-most hated thing on the show." Second, if you've won awards this season, try to come up with a different speech for the Oscars. Many have lamented the fact that Oscar's TV ratings have never equalled the "Titanic" levels during the past dozen years. But is it just the lineup of contenders, or is it the speeches?

When viewers have seen a star rattle off the same litany of thanks at the Broadcast Critics, the Globes, the BAFTAs and the SAG Awards, who wants to watch it again? So this year, nominees, you can start a precedent: A new speech for each kudocast. Talk about what it's like to work in your field, give an inspiring thought to young folks, say what it means to be recognized after such a long (or relatively brief) career, or thank the one person who changed your career (a parent, a teacher, a mentor). Espouse a cause. Please, please. I don't ask you for many favors, but please grant me just this one.

• Keep perspective: Some years ago, I was nominated for a journalism award. Frankly, I'd never heard of these particular awards, nor the org that was handing them out. So I was pleased but detached. However, once I arrived at the ceremonies, the chatter was all about the awards, the awards, the awards, so by the time my category arrived, my heart was pounding out of my chest. I had gone past "I want to win" to "I MUST win!" I didn't. I was crestfallen. My whole world had collapsed. The next morning, I woke up mystified: I wasn't sure how I'd gone from flattered indifference to this. Was I nuts? And the answer is: Yes, I was.

Awards have a way of undoing all sense of logic and priorities (i.e., they have ways of messin' with your head, to borrow a phrase from my youth). So go on March 7 and have fun, enjoy the achievement, but try to keep things in perspective.

Monday, February 15, 2010

Christopher Nolan, the Savior of Superman?


Can the Batman filmmaker whip the Man of Steel into shape?

By Joey Esposito, Crave.com
Feb 15, 2010

Last week, DC Entertainment made the announcement that Batman Begins and The Dark Knight director Christopher Nolan will be "mentoring" the latest iteration of Superman on the big screen. Coupled with the fact that after the immaculate success of The Dark Knight in 2008 Warner Brothers execs publicly spoke about giving all of DC's slated film projects a "mature" and "darker" edge, the involvement of Nolan in a new Superman movie begs the question: will it be true to the source material?

It's important to note that no one knows what the hell "mentoring" a film means. Is Nolan going to take the movie to the Boys & Girl Club and play basketball with it? Are the credits going to read "Big Brother - Christopher Nolan"? For all we know, Nolan is going to help find a director and then never give it a second thought. The point is, all we can really do at this stage is speculate. So gladly, I'll add some fuel to the fire.

Nolan has said more than once that his world in the new Batman films has no place for characters like Robin, let alone superpowered heroes. A lot of fans seem to be assuming that this move by DC Entertainment is an effort to begin constructing a cohesive film universe, like Marvel is doing with their big screen properties. I'm not sure if that's the case or not, but I think it's important to consider the new restructuring over at DC Entertainment. The purpose of the new system was to couple filmmakers with key DC creators to keep the films true to their source while being the best movie it can be.

That said, anyone that has fears of Nolan turning Superman into a character that lives in the shadows can rest easy. Firstly, I think Nolan has enough common sense to stay true to the character, whether he's a comic book fan or not. And, if for some reason he tried to go against the grain, the structure of DC Entertainment, as its intended to do, would prevent the defacing of its character. Of course, this assumes that the promises spit out by DC/Warner Brothers isn't a cloud of smoke to reassure fans.

What Nolan did so well in Begins and The Dark Knight is spotlight the humanity of the Bruce Wayne/Batman character. Surely, finding the humanity in Superman would make fans rejoice. But guess what? Finding humanity in Superman is exactly what Bryan Singer accomplished in Superman Returns and fanboys cried to their message board faux-friends in peril. I can understand the movie not being a commercial success considering its outrageous budget, but there was drama and humanity coupled with a lot of other perks: throwbacks to the original films, a new twist on the typical Superman/Lois relationship, and humor. There were glaring problems, but overall not a bad addition to Kal-El's filmic history.

Fans may point out that Nolan did a great job of combining action and drama in The Dark Knight, but that brings the issue back around to what exactly Nolan's role in the film is. He's not directing, so really, how much influence will he have in the specifics? He may assist in general tone or plot, but as far as the dynamics of the film and its pacing, I doubt he'll have little interest.

As I said, all we can do at this point is speculate. And my own, personal speculation is that Nolan's "involvement" is essentially a jumpstart for the long problematic Superman movie franchise. I assume that Nolan will help get the production back on its feet (ie, not wading in an endless stationary pool of rumors), get it rolling with the right people, and then back off. Time will tell, but in the meantime, let the furious Internet debates begin.

Sunday, February 14, 2010

Week 3: Road Films



CHE
Even though we are too insignificant to be
spokesmen for such a noble cause, we believe, and
this journey has only confirmed this belief, that the
division of American into unstable and illusory nations is
a complete fiction. We are one single mestizo race from
Mexico to the Magellan Straits. And so, in an attempt to
free ourselvesfrom narrow minded provincialism, I
propose a toast to Peru and to a united America.

Gael GarcĂ­a Bernal as Che Guevarra in
Diarios de motocicleta (The Motorcycle Diaries)
(Salles, 2004 Argentina/US/et al.)

M 2.15/W 2.17: WGHS Winter Break
NO CLASS

Upcoming:

M 2.22/W 2.24: Road Films
In-class: “An Introduction to Road Films, Pt. II”
Screening: Thelma & Louise (Scott, 1991 USA)
Due: OSR 2 (1940-1959)