Thursday, April 29, 2010

First "Hobbit" film on track for 2012 release

"The Hobbit" is coming to theaters sooner than you think, but later than you initially thought.

The Hollywood Reporter
April 28th, 2010

Warner Bros. is scheduling Peter Jackson and Guillermo del Toro's two-part adaptation of "The Hobbit" for December 2012 and December 2013.

Confusion over release dates surfaced Wednesday when Imax announced an overall, 20-film, three-year deal with Warners. In outlining which films would be included, Imax incorrectly indicated 2013 as the release date for the first "Hobbit" movie.

But 2013 is two years later than the 2011 release date that New Line and MGM targeted for the first installment when the two companies originally announced the movies in December 2007.

However, 2011 proved not to be a realistic date and instead served more as a guideline, according to insiders, because when it was first announced, no scripts were written, nor schedules or budgets drawn up.

While the project is taking a bit longer than the filmmakers anticipated, it is now on track for 2012 -- rather than the 2013 date mentioned in the Imax release.

The second movie's script was turned in to the studio a couple of weeks ago.

Warners moved quickly to set the calendar straight in the wake of the Imax release, and by midday, the giant-screen-format company said it was going to send out a correction, officially making 2012 the new date for the first "Hobbit" movie.

Journal Response 1

We now live in an era in which its possible to view a major Hollywood film at home on or before the day it opens. This is, of course, illegal. Yet, high-quality copies of every major film currently playing in theatres exist and are easily available via bootlegged DVDs or filesharing programs.

As a consequence, these practices have radically altered, not only the American box office, but audiences' viewing habits. Untold millions of dollars have been lost at a time when more and more people are beginning to prefer watching first-run movies on their computers. All the way, they are aided by technology that makes it ever easier to illegally obtain films.

Pirating has nearly brought down the recording industry, is Hollywood next? What should studios do about it? Is the genie out of the bottle, so to speak? Is there any going back? And as an audience member, what is gained and what is lost by viewing first-run films outside of a theatre? Have these practices changes how you view films? What are your thoughts on illegally downloading films?

Due: Monday, May 3rd.

Sunday, April 25, 2010

Week 13: Gay Film



ALBERT
Don't give me that tone!

ARMAND
What tone?

ALBERT
That sarcastic contemptuous tone that means
you know everything because you're a man,
and I know nothing because I'm a woman.

ARMAND
You're not a woman.

ALBERT
Oh, you bastard!

—Natahn Lane as Albert and Robin Williams as Armand in
The Birdcage (Nichols, 1996 USA)

M 4.26/W 4.28: Gay Cinema
In-class: “History of Gay Cinema, Pt. I”
Screening: The Talented Mr. Ripley (Minghella, 1999 USA)

UPCOMING:

M 5.3/W 5.5: Gay Cinema
In-class: “History of Gay Cinema, Pt. II”
Screening: Transamerica (Tucker, 2005 USA)
Due: Journal Response 1

Friday, April 23, 2010

What We've Watched So Far...

Here are the films we've watched so far. You are responsible for writing about them for your ISRs due at the end of the semester:



City Lights (Chaplin, 1931 USA)


It Happened One Night (Capra, 1934 USA)


Thelma & Louise (Scott, 1991 USA)


Rocky (Avildsen, 1976 USA)


The Wrestler (Aronofsky, 2008 USA)


Moulin Rouge! (Luhrmann, 2001 USA/Australia)


Dancer in the Dark (von Trier, 2000 USA/Denmark/German/et al.)


The King of Kong: A Fistful of Quarters (Gordan, 2007 USA)


Dear Zachary: A Letter to a Son about His Father (Kuenne, 2008 USA)

"Cove" Director Defiant of Base Ban, Harassment

By Yuri Kageyama, The Associated Press

TOKYO — The director of "The Cove" said Thursday that a decision by a U.S. military base in Japan to ban the Oscar-winning film on dolphin killings and protests at the local distributor's office won't silence the film's message on saving dolphins.

"The Cove" documents the bloody bludgeoning of dolphins by fishermen in the western seaside Japanese town of Taiji, where some dolphins are captured and sold to aquariums while others are killed for their meat. The film has set off a flurry of debate, especially after it won best documentary at this year's Academy Awards.

The Japanese government is adamant that whaling and dolphin hunts must continue for research and cultural purposes. But most Japanese have never eaten whale or dolphin, and are shocked to see the slaughter.

The U.S. Air Force Yokota Air Base, west of Tokyo, decided last week to cancel the screening at its on-base theater to be "sensitive to local political and cultural concerns," base spokesperson Mitsuru Takahashi said.

"The Cove" director Louie Psihoyos said he will give away 100 DVDs of the movie to people at the base so they can see it.

"The military is facing a lot of pressure by our government to make nice of the Japanese," he told The Associated Press by telephone from Boulder, Colorado. "We are going to win this battle, with or without the U.S. military."

The film has not yet opened in Japan, except at a festival and small screenings, and is set to be shown at theaters in June. The faces of the fishermen and many other people in the film are blurred out to protect their privacy.

In recent weeks, dozens of nationalist protesters with loudspeakers have shown up at the distributor's downtown Tokyo office demanding the film not be shown. Some theaters may choose not to show the film simply to avoid trouble.

Psihoyos, executive director of the Oceanic Preservation Society, a nonprofit for protecting the environment, said he was hopeful Japanese will be interested in what he said was a warning in his movie about the health risks of eating dolphin meat, which has mercury contamination levels higher than fish.

"It's not just about saving dolphins. It's about saving humans," he said. "This kind of information needs to be freed. We're going to get it out there, one way or another."

He has begun working on his next film, tentatively titled "The Singing Planet," an overview about the destruction of nature, such as the disappearance of coral reefs and the rise of toxins in tuna and other ocean life.

Psihoyos is set to testify at a U.S. congressional hearing with the Committee on Natural Resources on Tuesday that will raise questions about the educational value of keeping marine animals in captivity — an issue drawing growing interest after a SeaWorld Orlando trainer was killed by an orca, or killer whale, in February.

"Fish are talking. Whales are talking," he said. "Everything has been singing. We just haven't been listening, and we are destroying these voices."

Sunday, April 18, 2010

Week 12: Documentaries



LITTLE EDIE
I can't stand being in this house. In the first place,
it makes me terribly nervous. I'm scared to death
of doors, locks, people roaming around in the
background, under the trees, in the bushes, I'm
absolutely terrified.

—Edith "Little Edie" Bouvier Beale in
Grey Gardens (Mayles/Maysles, 1975 USA)

Week 12
M 4.19/W 4.21: Documentaries
In-class: “A Survey of Documentary Film, Pt. II”
Screening: Dear Zachary: A Letter to a Son about His Father (Kuenne, 2008 USA)
Due: OSR 6 (Documentary Film)

UPCOMING:

M 4.26/W 4.28: Gay Cinema
In-class: “History of Gay Cinema, Pt. I”
Screening: The Talented Mr. Ripley (Minghella, 1999 USA)